Sunday, 30 September 2012

Design Practice III//Module Rationale.



The completed, written rationale for OUGD301 which encompasses all I hope to achieve from the module in terms of both my personal and professional development. 

More research and evidence of my work throughout the module and this year in support of my ambitions and plans can be found on my Design Practice, Design Context, and PPD blogs.

Design Practice//OUGD301 Time Planner.




As part of my time planning and organisation throughout the first module of Level 06, Design Practice III, I have decided to create a time planner, which, hopefully, should give a little more structure and planning to each of my days, where I will schedule in at least 8 hours worth of working into each day from tomorrow, October 1st, until the module hand in, on December 11th.

Creating a colour- coded key should help me to equally distribute and prioritise my time, as well as having a black box to fill in once the task in completed (for the allotted time), choosing to expanding upon this, if given enough time in the day/in balance with my other work/life responsibilities. 

I will attempt to maintain this as much as possible, and giving at least a day's notice to all of my work commitments, and filling the table in (with more notice and structure of the weekly timetable, I will add to this spreadsheet accordingly).

Saturday, 29 September 2012

Design Practice III//Brief Writing Studio Workshop.


BRIEF WRITING STUDIO WORKSHOP

//

Notes from the brief writing exercise, studio workshop, as delivered by course administrator, Fred Bates on 28th September 2012.

//

- Always bring in folder to crit sessions- keep up to date with paper work and ORGANISED.

QUESTIONS (AS PROPOSED BY TABLE TO ASK FRED DURING TASK)

//

- Will the presentation boards for the module (3-6 A2) be expected to be in print or digital format?
- Is the design context book/bibliography for the Design Context/OUGD301 module/FMP or for the entire course/Level 06?
- To clarify, should three dimensional product outcomes be submitted where appropriate with A2 submission boards?
- On the module outcomes grading, please define and clarify... "the limited knowledge...within Graphic Design..."
- Should the module require a rationale and bibliography for each brief, or an overarching one for the entire module?
- To what extent should we write a bibliography- resource links to extensive contextulisation research posts.

//

- Next week we will be looking at the briefs and planning for our deadline.
- In the bibliography, we will produce a document which has informed our general practice and information and we have to have a bibliography for each module.
- Write rationale for both the individual briefs and the overarching modules- generally where you're heading, and how each brief fulfils the needs and what you're doing and why you're doing them.
- File is useful for information you can't put in your blog (level of confidentiality or don't have permission for interviewee, etc.)
- Print out all presentation boards (3-6 A2 per brief), creating PITCH BOARDS.
- Book a print slot for 8th, 9th, 10th December.
- Prep presentation boards at the end of each brief (time saving, get printed and safe)

BY WEDNESDAY

//

- Have a business card up and a piece of promotional material to talk about who you are as a designer (mailout, booklet, etc), 9:00am pinned up on board behind macs.
- Bring ALL the briefs to the session and develop our rationale, consider how we will plan our time.
- Bring ideas and reference material for the briefs- come in with concepts/ideas and notes/images/development.

Thursday, 27 September 2012

Design Practice III//Negotiated Briefs//Lulu & The Lens Photography Rationale.



RATIONALE VII// LULU & THE LENS PHOTOGRAPHY

The finalised initial rationale for the Lulu & The Lens Photography brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the wedding and lifestyle photographer, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Jessie Leong Photography Rationale.



RATIONALE III// JESSIE LEONG PHOTOGRAPHY

The finalised initial rationale for the Jessie Leong Photography brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the Leeds College of Art student photographer, more information and research can be found on my Design Context blog.

Tuesday, 25 September 2012

Design Practice III//Module Briefing.




Module brief and notes from the Design Practice III module briefing, as delivered by Programme Administrator, Fred Bates.

//

LEEDS COLLEGE OF ART
BA (HONS) GRAPHIC DESIGN LEVEL 06

- A3 colour duplex printers in Level 06 studio
- Wednesday presentation in studio 04, Thurs is studio 03
- Mac suite update session tomorrow

LEVEL 06:

- INDEPENDENCE
- PROFESSIONALISM
- PROGRESSION

DESIGN STRATEGY:

- PROFESSIONALISM
- INDEPENDENCE
- INNOVATION
- ENTERPRISE

APPLICATION/PRODUCTION/DISTRIBUTION

- ALWAYS consider various forms and range and application of outcomes.
- THINK function, audience and context

COLLABORATE

- Engage with studios and printers

PROFESSIONAL SKILLS

- Presentation and communication
- Self promotion and branding
- Portfolio building and distribution
- Briefing, contracts and invoicing
- Intellectual property and business skills

WHAT DO YOU WANT IT TO SAY?... Your design practice

PROGRAMME STRUCTURE

14th February dissertation cut off point (complete dissertation by the end of December)

STUDIO TIMETABLE

WEEK

MONDAY//Studio briefing, Amber & Fred
TUESDAY//John, Andy
WEDNESDAY//Amber, Fred
THURSDAY//Amber, Phil
FRIDAY//Visiting professionals

SIGN IN whenever we're in the studios

DISSERTATION

Academic writing section in eStudio (from BAGD front page)

OUGD301//DESIGN PRACTICE III

Submission 11/12/12

BRIEF// Read through and ask questions on Friday

DESIGN CONTEXT// Contextualise research and findings

DESIGN PRACTICE// The practical delivery of briefs

//

COMPLETE BIBLIOGRAPHY on Design Context for each module- text, mags, books, websites, etc.

//

DESIGN PRACTICE III//NEGOTIATED BRIEFS

Pick a minimum of FOUR negotiated briefs for OUGD301.
Look at product, range and distribution

NOTE (for tutors): Is Faber & Faber regarded as a significant national brief? No longer live, should I work on YCN instead?

Monday, 24 September 2012

Design Practice III//Negotiated Briefs//Collective Briefs.



The finalised collection of my written initial ten briefs for Design Practice III, to review with tutors and discuss as I go on to Level 06 to develop both my personal and professional design portfolio.

For more evidence of contextual research, see my Design Context blog for more details and information about each individual brief.

Design Practice III//Negotiated Briefs//Honey Gift Set.



BRIEF IV// HONEY GIFT SET

The finalised initial brief for the Honey Gift Set packaging brief, proposed as one of my ten negotiated briefs. Working as a research and skills- driven brief to create a range of both printed/packaging outcomes for the and to help promote the endangered honeybees within the United Kingdom, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Brief Priorities.


After starting a series of extensive research, along with writing the briefs and rationales for each of the ten selected projects within Design Practice III, I have decided, once again, to write down the list of my re-prioritised projects, as a source to return to when selecting the final few. Written below, a brief summary of each of the briefs along with outcomes/skills involved with finalising the individual briefs.


More research and development can be found on my Design Context blog.


//


PRIORITY OF BRIEFS


1. Honey Gift Set

Research-Skills Driven-Promotional-Brand-Editorial-Packaging

2. Leeds College of Art Graduate Degree Show 2013

Skills Driven-Promotional-Branding-Live-Collaborative-Competition

3. University of Leeds Ballet Society

Skills Driven-Live-Branding-Promotional

4. Lulu & the Lens Photography Branding

Skills Driven-Live-Branding-Promotional-Editorial

5. James Maxwell Architecture Branding

Skills Driven-Live-Branding-Promotional-Editorial

6. Leeds College of Art Printed Textiles & Surface Pattern Degree Prospectus 2013

Research-Skills Driven-Live-Collaborative-Editorial-Competition

7. Jessie Leong Photography Branding

Skills Driven-Live-Branding-Promotional-Editorial

8. Orange Juice Promotional Tour

Research-Skills Driven-Editorial-Promotional-Branding

9. Faber & Faber Typographic Cover Series

Research-Skills Driven-Editorial-Promotional-Retail-Branding

10. Chris Luk Animation Branding

Skills Driven-Live-Branding-Promotional-Editorial

Design Practice III//Negotiated Briefs//Urban Beekeeping.



Image Source

Throughout the past couple of days, working on Design Context research and putting together my initial briefs and rationales for my selected briefs for Design Practice III, I've faced a few difficulties with a few of my decisions, particularly with the chosen Urban Beekeeping brief.

Research more into the practice of Urban Beekeeping, I can foresee a lot of difficulties within the briefs, particularly the cost of starter kits, which I have proposed to brand (starting at around $250). Therefore, I have decided to alter the brief slightly, and propose a packaging brief for a selection of honey products and recipe book, with the profits to go towards a leading bee charity within the UK (yet to be selected).

Adding a little more variation to my briefs with a packaging design project, this will still allow me to work with branding, editorial and sustainable/ethical design, which is what I aspire to specialise in with my future design practice.

Really excited to start the brief as soon as possible, along with my written brief, rationale, and conceptual research development.

Design Practice III//Negotiated Briefs//Leeds College of Art Degree Show 2013 Brief.



BRIEF IX// LEEDS COLLEGE OF ART DEGREE SHOW 2013

The finalised initial brief for the Leeds College of Art Degree Show 2013 brand identity and promotion brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven, collaborative (with Claudia Griffin) and competition brief to create a range of both print and digital design outcomes for the acclaimed end of year degree show, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Faber & Faber Typographic Cover Series Brief.




BRIEF V// FABER & FABER TYPOGRAPHIC COVER SERIES

The finalised initial brief for the Faber & Faber typographic cover series and promotion brief, proposed as one of my ten negotiated briefs. Working as a research and skills driven brief to create a range of both print and digital  design outcomes for the acclaimed publishing house's proposed typographic cover designs, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//University of Leeds Ballet Society Brand Identity and Promotion Brief.


BRIEF VI// UNIVERSITY OF LEEDS BALLET SOCIETY 
IDENTITY AND PROMOTION BRIEF

The finalised initial brief for the University of Leeds Ballet Society brand identity and promotion brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the acclaimed society and performance groups, more information and research can be found on my Design Context blog.

Design Practice III/Negotiated Briefs//Orange Juice Promotional Tour Brief.




BRIEF II// ORANGE JUICE PROMOTIONAL TOUR

The finalised initial brief for the Orange Juice Promotional Tour 2013 brief, proposed as one of my ten negotiated briefs. Working as a research and skills driven brief to create a range of both print and digital promotional design outcomes for the hypothetical reunion tour of the 1980's indie-rock band. More information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Chris Luk Rationale.




RATIONALE VI// CHRIS LUK ANIMATION

The finalised initial rationale for the Chris Luk Animation brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the Leeds College of Art student animator, more information and research can be found on my Design Context blog.

Sunday, 23 September 2012

Design Practice III//Negotiated Briefs//Chris Luk Brief.



BRIEF VI// CHRIS LUK ANIMATION

The finalised initial brief for the Chris Luk Animation brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the Leeds College of Art student animator, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Lulu & the Lens Photography Brief.



BRIEF VII// LULU & THE LENS PHOTOGRAPHY

The finalised initial brief for the Lulu & the Lens Photography brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the wedding and lifestyle photographer, more information and research can be found on my Design Context blog.

Design Practice III//Negotiated Briefs//Brief VIII James Maxwell Architecture.



BRIEF VIII// JAMES MAXWELL ARCHITECTURE

The finalised initial brief for the James Maxwell Architecture brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the Cardiff School of Art & Design BA (Hons) Interior Architecture third (final) year student, more information and research of which can be found on my Design Context blog.


Saturday, 22 September 2012

Design Practice III//Negotiated Briefs//Jessie Leong Photography Brief.



BRIEF III// JESSIE LEONG PHOTOGRAPHY

The finalised initial brief for the Jessie Leong Photography brand and identity brief, proposed as one of my ten negotiated briefs. Working as a live, skills driven brief to create a range of both print and digital branded design outcomes for the Leeds College of Art BA (Hons) Photography second year student.

For more research development, see my Design Context blog.

Design Practice III//Negotiated Briefs//BA (Hons) Surface Pattern Degree Prospectus 2013 Brief.



BRIEF I//LEEDS COLLEGE OF ART BA (HONS) SURFACE PATTERN DEGREE PROSPECTUS 2013

The finalised initial brief for the Leeds College of Art BA (Hons) Surface Pattern degree prospectus 2013 brief, proposed as one of my ten negotiated briefs. Working in a live, collaborative brief with Claudia Griffin, Kirsty Alderson, and Kirsty Cave.

For more research development, see my Design Context blog.

Wednesday, 19 September 2012

Professional Development III//Notes for Presentation.


With the start of third year drawing ever- closer, I decided to make a start on getting my Level 06 presentation ready with making some important notes about achievements and work carried out throughout the summer in order to start putting the presentation together as soon as possible for a well- designed, considered and thorough delivery- including practicing my presentation techniques within the 7-10 minute time constraints.

//


LEVEL 06 PRESENTATION
What I've done this summer

7-10 MINUTE PRESENTATION


//


Industrial research/studio visits: What have I learnt and how has it effected my progress?


PLACEMENTS


Glad Creative, Gateshead

Founded, Newcastle

INTERVIEWS


Pearlfisher, Hammersmith


STUDIO VISITS


Qubik, Leeds

Studio Precept, Newcastle
The Archipelago, Leeds

FUTURE PLACEMENTS


Qubik, Leeds (1 day a week for academic year)

Wonderstuff Studio, Gosforth/Newcaslte (2 weeks)
Studio Precept, Newcastle (2 weeks +)
Perro, Newcastle (1 week)
Glad Creative, Gateshead (Open to return)
Founded, Newcastle (Open to return)

DESIGN PRACTICE/INDEPENDENT RESEARCH


Work in branding

Sustainable and ethical design
Research- lead
Ambitions to work in a small branding studio 
Potentially work in Newcastle, commuting in from York daily

OTHER SUMMER/NOTABLE ACHIEVEMENTS


Offered a job as part of a freelance time for Creativatree Advertising studio, New York City

Asked to sell my work in Helsinki- based homeware store, Mariankadun Olkkari 
Designed cover and feature within the LCA SU magazine 'NEST'

NEGOTIATED BRIEFS


Orange Juice promotional reunion tour 2013

Brand Jessie Leong Photography
Brand LCA degree show 2013 with Claudia Griffin
Design the BA (Hons) Printed Textiles & Surface Pattern degree book 2013 with Claudia Griffin, Kirsty Cave, and Kirsty Alderson
Create a series of typographic book covers for the Faber & Faber film series
Brand Chris Luk Animation
Brand Lulu & The Lens Photography
Brand James Maxwell Architecture
Brand and promote Leeds University ballet society
Urban Beekeeping promotional starter kit

PLAN FOR FMP (Discuss with Fred?)


PROFESSIONAL SKILLS PLAN


TO DO


Develop print understanding, knowledge and experience

Develop web design
Work on typographic design
Explore editorial and publication design

SKILLS


Research briefs

Love working with people in both collaborative and branding briefs
Widened understanding of branding
Ambition and motivation
Increased confidence within my abilities
Illustration
Photography
Conceptual development

DISSERTATION PROPOSAL/RESEARCH

Visited Innocent HQ, Ladbroke Grove

Started sourcing research and reading
Approved dissertation and ethics consent forms sent through
Continuing to define what I aim to research and resolve within my dissertation

Tuesday, 18 September 2012

Design Practice III//Negotiated Briefs//BA (Hons) Printed Textiles & Surface Pattern Degree Prospectus Brief.


As one of the ten negotiated briefs for the first half of the year, within Design Practice III, Claudia Griffin, Kirsty Alderson, Kirsty Cave, and I, have decided to work together on the collaborative competition brief of designing the BA (Hons) Printed Textiles & Surface Pattern degree book, 2013, more information of which can be found on  my Design Context blog.

Today, we had the opportunity to meet up, discuss ideas, and, most importantly, to write the brief.

// 

IDEAS/NOTES

TEAM

Kirsty Alderson
Kirsty Cave
Claudia Griffin
Sophie Wilson

BACK UP PLANS FOR PITCHES/DEGREE BOOKS

Furniture
Fashion Design
Photography
Fine Art

CONSIDERATIONS

- Stock
- Printers
- Photography (Ourselves? Also have connections to Jessie Leong in LCA Photography, etc)
- Interviews/Profiles- Make it PERSONAL, interview each person for the most insight and potential for prospective clients
- Use tactile print methods that reflect the nature of the course- flocking, screen print, etc
- Consider locality- Large print industry within Leeds, Tigerprint in Bradford, etc
- 'Notable achievements' section- Placements and awards

DELIVERABLES

- Direction boards
- Book
- Online PDF/Kindle/eBook/iPad version

- Contact tutor(s) to ensure that they want Graphic Design to design the book for 2013
- Write up proof and check copies: 
Mock up January
Proof by May
Print by June

//

BRIEF

BRIEF/SESSION/DOCUMENT TITLE

BA (Hons) Printed Textiles & Surface Pattern Degree Prospectus 2013

BRIEF

Design the BA (Hons) Printed Textiles & Surface Pattern Degree Prospectus book for the 2013 degree students

BACKGROUND/CONSIDERATIONS

- Design processes and outcomes
- Research the course/degree background
- Communicate with the degree tutors for the delivery of the brief
- Time management within the constraints of a collaborative brief
- Consider sustainability within the design process
- Budget (discuss with tutors to negotiate printers, stocks, print processes, etc)

MANDATORY REQUIREMENTS

- Units
- Stock
- Budget
- Discuss brief specifications with degree tutors at a later date

 DELIVERABLES

- Direction boards
- Book
- Online PDF/ Kindle/iPad/eBook version

STUDIO DEADLINE

June 2013

MODULE DEADLINE 

June 2013

Wednesday, 12 September 2012

Design Practice III//Negotiated Briefs//Order of Preference.


In light of the fact that when we return to Uni, we will be selecting a few briefs from our written ten (more information and research of which can be found on my Design Context blog, and my Design Practice blog for the written briefs in the next couple of weeks), and where I currently stand in terms of which briefs I feel would deliver the best results, maintain interest, and have a good amount of variation within my portfolio.

//

BRIEFS

1. Orange Juice 'Rip it Up' reunion tour 2013
Create branded promotional material for the hypothetical Orange Juice 'Rip it Up' 2013 reunion tour, utilising both printed and digital media to advertise the event, create a booking system for tickets, and to create printed memorabilia for the gig venues.

2. Urban beekeeping starter kit
Design a range of informative and practical branded materials for an urban beekeeping starter kit, working alongside beekeeping charities to promote the practice of beekeeping with an insightful and useful publication and range of tools.

3. BA (Hons) Surface Pattern & Textiles Degree Show Prospectus Book
Design the end of year degree show book in a collaborative competition brief to visually communicate the diversity among the design practice of the course is a professionally and high-end design.

4. Jessie Leong Photography Branding

Design a distinctive brand identity through both print and digital media to visually communicate the portfolio of student photographer, Jessie Leong, and to effectively advertise and promote her work for future University projects and potential client work.

5. James Maxwell Architectural Design Branding
Create a range of print and digital media to showcase the work of Interior Architecture student, James Maxwell for both future graduate shows and placement/employer communication in a high-end, professional and visually representative, consistent brand style.

6. Leeds College of Art Degree Show Branding

In a collaborative, competition brief, design the proposed branding for the Leeds College of Art University degree show to be used in a range of scales and formats in both print and digital media, as well as creating wayfinding and signage design for the degree show itself.

7. Lulu & the Lens Photography Branding
Create a consistent and diverse range of print and digital media to promote the photographic portfolio of Lulu Peddar, known as Lulu & the Lens to create a wider awareness and fan base for her work, as well as for future client employment potential.

8. Leeds University Student Union Ballet Society Branding
Design a range of printed and digital media to promote the Leeds University Ballet Society to members of the University as well as the public for performances throughout the year as held by the varying ability groups within the society, including promotional design, as well as branded clothing and prospectuses for the group.

9. Chris Luk Animation Branding
Design a range of both printed and digital design media to promote the design practice of student Animator, Chris Luk, and to effectively communicate his unique and professional- standard portfolio to a range of potential clients as well as future placements/employers throughout the UK and abroad.

10. Faber & Faber Typographic Book Cover Series Design(s)
Design a range of typographically- inspired book covers for the Faber & Faber film series books, including designing a consistent retail environment in which the books are sold, as well as promotional materials in both print and digital formats.

Monday, 10 September 2012

Design Practice III//Competition Briefs.


Whilst planning my ten briefs as part of the OUGD301/Design Practice III briefs for the first half of Level 06,  I had a vague idea of what I wanted to do for nine of the ten briefs, yet still had a space "available" for something new. 
Throughout my selected briefs, there were a few I'd chosen which were competition-lead, such as the end of year show/prospectus guides for various degree courses, however, I wanted to also work on a competition brief with a little more scope and variety, and therefore, as shown below, have started to research several briefs/competition submissions sites with strong potential, and with something I would find particularly interesting/beneficial to the development of my portfolio in the final year of my degree.



The Yetee is a contemporary, playful t-shirt design retailer and submission site that I recently discovered whilst looking for potential ways to boost my freelance sales and work through selling/licensing some of my illustrative and typographic designs.

Whilst, of course, there is potential for monetary outcomes and benefits from submission, I feel that, as a brief, it perhaps wouldn't be as substantial as I would ordinarily choose a brief to be, and perhaps a little closed in terms of what I could do for development. Also, for my third year, I'm hoping to move away from solely working with illustration and type, and seeing ways in which I can apply it more effectively for a considered and well-rounded brief. 



Again, like the Yetee brief, I think this competition to design a typographic, motivational sports quote poster, is perhaps a little too narrow for a fully explored brief, and not challenging enough for my existing plans for my third year portfolio. 
This could potentially be expanded into a publication or promotional pack for a sporting event, but I think it doesn't particularly coincide with my existing interests, and may bore of it a little too easily.



In this competition to design a cover of a condom wrapper, there could be potential for something quite creative, and, of course, quite different to the existing work in my design portfolio- also open to the diverse range of potential design outcomes, whether it be illustrative, typographic, or photographic. Again, I feel the design outcome is a little short-sighted. Potential expansion of the project could include advertising and retail graphics, but, again, I feel as though I want to particularly focus on branding, and although this brief has potential, I'm sure I could find something that was a little more suited to the type of design I hope to pursue upon graduating. 



Much like t-shirt submission site, The Yetee, Threadless is a website that I have wanted to submit to for quite a few years now, often with a playful and whimsical illustrative design stock range that appeals to my own style of design and sense of humour. 

Traditionally, getting designs printed on Threadless can be quite challenging (it works on a scoring system by the public and Threadless account users), though the rewards can be great (both in terms of seeing your design printed on a wide variety of textiles such as baby clothes, t-shirts, bags, totes, etc, but also in monetary value).

Again, like The Yetee, I feel as though, although it's still an ambition to submit a design to Threadless in the future, as a brief itself it's not quite substantial or challenging enough, or furthering my potential for placements/employment from my portfolio after graduation, yet, still, certainly an ambition to submit a design before the end of the academic year.



A project that's really up my street in terms of personal interests and development throughout this year, creating typographic book (paper and e-book version) covers for the Faber and Faber Print on Demand Projection series (a minimum of three designs). 

I feel that this project would be not only fun as it appeals to my existing interests, but also well-suited to my love of research and brand development to create variation, yet consistency throughout the cover designs. 

My final project of second year included designing promotional material for the 200 year anniversary addition of Puffin's 'Fairy Tales of the Brothers Grimm'. Although initially I thought that this project was ideally suited to me, I found a great deal of problems along the way, and feel as though this project would be an excellent chance to "start again", and learn from the mistakes I made in the last project to ensure this was as successful as possible.

A definite favourite contender for the tenth brief so far.



An interesting brief from greetings card manufacturers, Tigerprint, looking at new, conceptual, and innovative ways to send and personalise greetings cards in a high-end and almost "luxury" production and print outcome range that their existing cards would be regarded as.

Although this would undoubtedly push my experience and portfolio in terms of illustrative and typographic design, I feel that the digital/web-heavy nature of the brief wouldn't be particularly suited to my interests. Although web and design for digital development is something I undoubtedly want to explore and work upon this year (for my own interests as well as increased employment potential), I would much rather perfect my experience and work with print and professional printers, so feel that although this brief would be beneficial in some ways, I wouldn't regard it as ideal or a priority brief at this moment in time.



Certainly an interesting branding brief from The Body Shop, looking at campaigns to rebrand the company and reinstate it's position in the beauty and retail market as the original, and best, natural and ethical brand.

As a fan of The Body Shop myself, I have interest in the brief and company, and feel that the research side (in terms of it's products and advertising) could be quite fun, with the often playful nature of the brand suited to my aspirations for my own design practice and portfolio. 

Also, the potential to work with typographic and photographic outcomes would certainly be something different, and enjoyable, to work on for my own personal interests as well as expanding the variation within my existing design portfolio.

Again, a definite consideration and contender for the chosen (final) brief.



Quite an interesting photographically-lead brief to communicate and inform people about dementia for the Alzheimer's Society. With a parents working, in the past, in science and healthcare, I've been fortunate to have been bought up with a reasonable about of insight in regards to medicine and health, and find it a natural interest. From a research and documentation point of view, perhaps as an editorial or publication-based project, I would certainly find this interesting, and from a visual perspective, very interesting to convey and communicate. 

However, from a photographic perspective, I could see a great deal of problems that could arise in regards to arranging to photograph dementia patients, and there would be a great deal of loops and laws that could potentially get in the way of achieving the results I'd desire. Due to this, the project is one that, at least for the time being, would be one I'd avoid, but potentially something to look more into, or develop, in the future.


Information not available online

Originally a brief I looked at and was interested in when choosing self-initiated briefs for Design Practice II at the end of Level 05 (Year II) on the degree programme, the ISTD brief, 'It Happened On This Day', I feel, could have a lot of potential.

Initially discarding it due to the lack of illustrative/image-based development, I would now consider this a blessing as I want to expand upon projects and the diversity within my portfolio as well as exploring publication and editorial design a little further.

Again, however, the project, on the surface, wouldn't necessarily have room for a great deal of development or expansion, and feel that the natural thing to do with the requirements of the brief would be to rather rigidly stick to the suggested outcomes.
Despite the fact I don't believe this would be a substantial enough brief for my final selected brief for the ten of OUGD301 (Design Practice III), again, as with some of the other briefs I've researched, I would definitely consider working on the brief as a short personal brief, perhaps working on the design over the period of a week as opposed to a month or two, as other briefs would ordinarily take.

// 

CHOSEN BRIEF

It was a tough decision between the Faber and Faber brief and the branding brief for The Body Shop, but I have chosen to work on the typographic Faber and Faber brief, largely due to balancing out my existing chosen projects, which are heavily branding based, as well as looking at my own personal interests and seeing how these will translate in terms of research of the briefs.

Certainly looking forward to getting started and developing as much insight and knowledge before writing the brief on my return to Uni on the week of the 24th September.